“Imagine a documentary that depicted the Holocaust in a cool, disinterested way as a big industrial-logistic operation, focusing on the technical problems involved (transport, disposal of the bodies, preventing panic among the prisoners to be gassed). Such a film would either embody a deeply immoral fascination with its topic, or it would count on the obscene neutrality of its style to engender dismay and horror in spectators. Where is Bigelow here?
Without a shadow of a doubt, she is on the side of the normalisation of torture. […]
Our guts tell us that there is something terribly wrong here; I would like to live in a society where rape is simply considered unacceptable, so that anyone who argues for it appears an eccentric idiot, not in a society where one has to argue against it. The same goes for torture: a sign of ethical progress is the fact that torture is “dogmatically” rejected as repulsive, without any need for argument.
So what about the “realist” argument: torture has always existed, so is it not better to at least talk publicly about it? This, exactly, is the problem. If torture was always going on, why are those in power now telling us openly about it? There is only one answer: to normalise it, to lower our ethical standards.
Torture saves lives? Maybe, but for sure it loses souls – and its most obscene justification is to claim that a true hero is ready to forsake his or her soul to save the lives of his or her countrymen. The normalisation of torture in Zero Dark Thirty is a sign of the moral vacuum we are gradually approaching.”
Slavoj Žižek: Zero Dark Thirty: Hollywood’s Gift to American Power