black holes and gray matter. in one thousand tangos.

             

Some art books skyrocket in value just a few years after they’re published. How much cash is sitting on your coffee table?

“After witnessing the staggering after-market success of “Helmut Newton: Sumo” — which cost $1,500 when it came out in 1999 and is now worth 10 times that much — the art publisher Taschen has invested in making more of its books good investments. The company’s gigantic limited-run “art editions,” many of which come with signed gelatin prints, are specifically designed to appreciate in value. Some, like Mario Testino’s 2010 book on Kate Moss — which had a $500 list price and currently resells for $2,000 — do this very quickly. […]

Charles Miers, the publisher of Rizzoli, attributes this new market dynamic to a “subliminal enthusiasm for bespoke books,” which he said is increasing just as Kindles and iPads threaten to make other printed books obsolete. “We just wish that enthusiasm reached a wider reader,” he said. “The funny thing with some of these books that double or triple in price is that they often didn’t retail well and only find a new value on AbeBooks or Amazon after they’ve been remaindered. It’s a kind of ironic devaluation and then hyperinflation.”

Left: “Sleeping by the Mississippi’’ by Alec Soth, Original Price: $40. Now: $1,500.

Right: ‘‘Dennis Hopper: Photographs 1961-1967’’. Original Price: $1,800. Now: $14,000.

The Bibliophile’s 401(k)

“The books we need are the kind that act upon us like a misfortune, that make us suffer like the death of someone we love more than ourselves, that make us feel as though we were on the verge of suicide, or lost in a forest remote from all human habitation—a book should serve as the ax for the frozen sea within us.”

“MOSCOW — After 20 years of opining on weighty bilateral issues like NATO expansion and ballistic missile defense, the political analyst Nikolai V. Zlobin recently found himself trying to explain, for an uncomprehending Russian readership, the American phenomenon of the teenage baby sitter. In Russia, children are raised by their grandmothers, or, if their grandmothers are not available, by women of the same generation in a similar state of unremitting vigilance against the hazards — like weather — that arise in everyday life. An average Russian mother would no sooner entrust her children’s upbringing to a local teenager than to a pack of wild dogs.

But of course much in everyday American life sounds bizarre to Russians, as Mr. Zlobin documents meticulously in his 400-page book, “America — What a Life!” […]

With the neutrality of a field anthropologist dispatched to suburbia, Mr. Zlobin scrutinizes the American practice of interrogating complete strangers about the details of their pregnancies; their weird habit of leaving their curtains open at night, when a Russian would immediately seal himself off from the prying eyes of his neighbors. Why Americans do not lie, for the most part. Why they cannot drink hard liquor. Why they love laws but disdain their leaders. […]

He is not the first Russian to engage in this exercise. In 1935, Ilya Ilf and Yevgeny Petrov, Soviet satirists, embarked on a road trip across the United States. Their book, “One-Story America,” described its residents’ earnestness (“Americans never say anything they do not mean”) their provinciality (“curiosity is almost absent”) and the ubiquity of advertising, which, they wrote, “followed us all over America, convincing us, begging us, persuading us, and demanding of us that we chew ‘Wrigley’s,’ the flavored, incomparable, first-class gum.” […]

[Zlobin] devotes many pages to privacy, a word that does not exist in the Russian language, or in the airless human mass that forms when Russians wait in line. Americans, he reports, prefer to converse at a distance of at least four feet.

“I suppose that in a typical Russian line, your average American would lose consciousness,” he writes. “Any touch to an American is taken as a violation of his personal space, so in the U.S., as a rule, people do not take each other by the elbow and do not tap each other on the shoulder if they want attention, they do not embrace each other like brothers.””

Book Translates American Minutia for Russians | NYT

using a focused ion beam and scanning electron microscope (SEM), vancouver-based artist robert chaplin has broken the guinness record for the world’s smallest book. by taking the nano-typographic text from his illustrated story ‘teeny ted from turnip town’ onto a microchip thinner than a strand of hair, the story and type is traced onto the single-crystalline silicon surface where the line weight resolution equates to 42 nanometers (42 millionths of a millimeter). measuring 70 micrometers x 100 micrometers, the microchip version of the book cannot be seen with the naked eye or with a regular microscope, requiring an SEM to be seen from the nano-processing facility at simon fraser university.
chaplin is currently seeking funding to create a full sized version of ‘teeny ted from turnip town’ on kickstarter.

using a focused ion beam and scanning electron microscope (SEM), vancouver-based artist robert chaplin has broken the guinness record for the world’s smallest book. by taking the nano-typographic text from his illustrated story ‘teeny ted from turnip town’ onto a microchip thinner than a strand of hair, the story and type is traced onto the single-crystalline silicon surface where the line weight resolution equates to 42 nanometers (42 millionths of a millimeter). measuring 70 micrometers x 100 micrometers, the microchip version of the book cannot be seen with the naked eye or with a regular microscope, requiring an SEM to be seen from the nano-processing facility at simon fraser university.

chaplin is currently seeking funding to create a full sized version of ‘teeny ted from turnip town’ on kickstarter.

©2011 Kateoplis