black holes and gray matter. in one thousand tangos.

             
"In one sentence, what do you actually do all day in your job? Other than the boring details of film financing, licensing, etc. I hunt — in the forest of interesting ideas. I love to be in the world and to just go hunting.”
"Do you give money to panhandlers? As Walt Whitman advised, I always try to help people out on the street a little. Especially musicians — I consider them to be the magical people among us. 
What’s your drink? Water. The greatest drink on our planet is a clear, cool glass of water.”
"What’s your favorite medication? I’m not really into medications. I’d rather read a book. 
What is the best thing in or about your apartment? Art and things friends have given me — then my books, music, DVDs, and musical instruments. 
What’s the craziest thing you’ve ever seen on the subway? Very young and dangerous-looking gang members communicating only with sign language. 
When was the last time you stayed out past 3 a.m.? I guess late last year when Mick Jones and Paul Simonon were in town promoting the release of the Clash box set. 
Which do you prefer, the old Times Square or the new Times Square? The old one. More Lou Reed, less Walt Disney. 
What do you think of Mayor de Blasio? I am suspicious of all politicians, especially those who get elected. 
What do you hate most about living in New York? The noise level is getting to me, and the traffic, and everyone’s endless quest for money is a real drag. 
If you could banish one person from New York forever, who would it be? New York is a free port — no one should be banished. U.S. out of NYC!”
"Where do you go to be alone? I go into the woods in the Catskills looking for animals and mushrooms.”
Sir Jarmusch | NYMAG

"In one sentence, what do you actually do all day in your job? 
Other than the boring details of film financing, licensing, etc. I hunt — in the forest of interesting ideas. I love to be in the world and to just go hunting.”

"Do you give money to panhandlers? 
As Walt Whitman advised, I always try to help people out on the street a little. Especially musicians — I consider them to be the magical people among us. 

What’s your drink? 
Water. The greatest drink on our planet is a clear, cool glass of water.”

"What’s your favorite medication? 
I’m not really into medications. I’d rather read a book. 

What is the best thing in or about your apartment? 
Art and things friends have given me — then my books, music, DVDs, and musical instruments. 

What’s the craziest thing you’ve ever seen on the subway? 
Very young and dangerous-looking gang members communicating only with sign language. 

When was the last time you stayed out past 3 a.m.? 
I guess late last year when Mick Jones and Paul Simonon were in town promoting the release of the Clash box set. 

Which do you prefer, the old Times Square or the new Times Square? 
The old one. More Lou Reed, less Walt Disney. 

What do you think of Mayor de Blasio? 
I am suspicious of all politicians, especially those who get elected. 

What do you hate most about living in New York? 
The noise level is getting to me, and the traffic, and everyone’s endless quest for money is a real drag. 

If you could banish one person from New York forever, who would it be? 
New York is a free port — no one should be banished. U.S. out of NYC!”

"Where do you go to be alone? 
I go into the woods in the Catskills looking for animals and mushrooms.”

Sir Jarmusch | NYMAG

“What I love is the heartland of the country, the so-called “flyover” zone, like Wisconsin, where we filmed Stroszek and where Orson Welles was from. Marlon Brando came from Nebraska, Bob Dylan from Minnesota, Hemingway from Illinois, these middle-of-nowhere places, to say nothing of the South, the home of Faulkner and Flannery O’Connor. I like this kind of terrain, where you can still encounter great self-reliance and camaraderie, the warm, open hearts, the down-to-earth people. So much of the rest of the country has abandoned these basic virtues. I like America for its spirit of advancement and exploration; there is something exceptionally bold about the place. The idea of everyone having an equal chance to succeed, no matter who they are, is impressive. If a barefoot Indian from the Andes had invented the wheel, the patent office in Washington would have assisted him in securing his rights.”
“When I made The Wild Blue Yonder I discovered an extraordinary cache of footage shot by NASA astronauts in outer space, and was told that because it was filmed by federal employees, the material was “property of the people.” I asked, “Can I, a Bavarian, be considered one of the people?” Such images, it turns out, according to American law belong to everyone on the planet. This is a unique and astounding attitude to the world. Naturally there are things in the United States I’m ambivalent about, just as there are when it comes to Germany. I could never be a flag-waving patriot. But there are many reasons why I have been in America for so many years. The country has always had a capacity to rejuvenate itself, pull itself out of defeat and look to the future. There has always been space there to create real change. I could never live in a country I didn’t love.”
Werner Herzog: A Guide for the Perplexed

What I love is the heartland of the country, the so-called “flyover” zone, like Wisconsin, where we filmed Stroszek and where Orson Welles was from. Marlon Brando came from Nebraska, Bob Dylan from Minnesota, Hemingway from Illinois, these middle-of-nowhere places, to say nothing of the South, the home of Faulkner and Flannery O’Connor. I like this kind of terrain, where you can still encounter great self-reliance and camaraderie, the warm, open hearts, the down-to-earth people. So much of the rest of the country has abandoned these basic virtues. I like America for its spirit of advancement and exploration; there is something exceptionally bold about the place. The idea of everyone having an equal chance to succeed, no matter who they are, is impressive. If a barefoot Indian from the Andes had invented the wheel, the patent office in Washington would have assisted him in securing his rights.”

When I made The Wild Blue Yonder I discovered an extraordinary cache of footage shot by NASA astronauts in outer space, and was told that because it was filmed by federal employees, the material was “property of the people.” I asked, “Can I, a Bavarian, be considered one of the people?” Such images, it turns out, according to American law belong to everyone on the planet. This is a unique and astounding attitude to the world. Naturally there are things in the United States I’m ambivalent about, just as there are when it comes to Germany. I could never be a flag-waving patriot. But there are many reasons why I have been in America for so many years. The country has always had a capacity to rejuvenate itself, pull itself out of defeat and look to the future. There has always been space there to create real change. I could never live in a country I didn’t love.”

Werner Herzog: A Guide for the Perplexed

A 180-degree turn from Mr. Anderson’s relentless oil odyssey…“Inherent Vice” is his most comedic and anarchic film since “Boogie Nights.” It’s a stoner detective film so overstuffed with visual gags and gimmicks that the filmmaker said he was inspired by slapstick spoofs like “Top Secret!” and “Airplane!”

Like the novel, the film is set in 1970 in the fictional Gordita Beach, Calif., among paranoid burnouts, white-supremacist bikers, black-power ex-cons, and hippies turned toothless heroin addicts. The “gum-sandal” detective Doc Sportello (a mutton-chopped, mumbly Mr. Phoenix) begins investigating a mystery at the behest of his free-spirited ex-girlfriend Shasta Fay Hepworth (Katherine Waterston) and to the consternation of the corrupt cop Bigfoot Bjornsen, played by Mr. [Josh] Brolin with a “flattop of Flintstone proportions,” as a character says in the film, and a malicious “twinkle in his eye that says ‘civil rights violations.’ ”

Along the way, Doc uncovers a conspiracy that touches the shady land developer Mickey Wolfmann (Eric Roberts) and a surf-rock saxophonist named Coy Harlingen (Owen Wilson), both of whom may either be dead or alive. Looming over them all is the specter of the Golden Fang, which may be a boat, an Indochinese heroin cartel, a rehab center, a syndicate of dentists — or something even more vast.”

Inherent Vice will have its premiere as the centerpiece of the New York Film Festival next Saturday, and open in theaters Dec. 12. 

"Myhrvold’s recipes can be so scientific that they seem self-defeating, like a sex guide on how to achieve the perfect orgasm that instructs its reader to stop every 45 seconds during intercourse to check his pulse and pupil dilation."

After 45 courses, I was lowing like a cow. In my food- and wine-altered state, I began to meditate on the notion of death by senseless beauty. By the fifth hour, Adrià was openly taunting me. He called out for second helpings while I groaned. “The kind of people who mock long tasting menus,” Adrià said, “are the same people you see lining up at the hotel breakfast buffet, dumping 30 different things on their plates.” Adrià’s future plan is to begin cooking only about 20 nights a year. “Cooking at this level is like giving a concert,” he said. “No one in their right mind gives 300 concerts a year.” The one piece of advice he has given Myhrvold: “Never open a restaurant.”

The final dish, an absinthe cocktail topped with a swirling sugar mold made with a 3D printer, arrived after 6 p.m.”

"And yet well after midnight, I ducked out of my hotel room for a greasy cheeseburger at Dick’s.”

The End of Cuisine

©2011 Kateoplis